Chair
2019–2026
Discourses on music at the margins of the Habsburg Monarchy, 1750–1914, FWF Postdoctoral project, Austrian Center for Digitalization and Humanities, Abteilung Musikwissenschaft, Österreichische Akademie der Wissenschaften Wien
https://www.oeaw.ac.at/acdh/projects/discourses-on-music-at-the-habsburg-military-border
2019, May-June
Sounds of Greek national self-representation: Discourse of heroism in Petros Petridis’ works, Friends of Music Society Athens, supported by the Friend of Music Society
2017–2018
Voice – The Sonic Dimension of Gender in Art (Opera), Popular and Traditional Music (with Marko Kölbl, Universität für Musik und darstellende Kunst Wien and Lena Jade Müller, Humboldt-Universität zu Berlin), Stabstelle für Gleichstellung, Gender Studies & Diversität, Institut für Volksmusikforschung und Ethnomusikologie, Universität für Musik und darstellende Kunst Wien (Gender/Queer Call_mdw), Vienna, Austria
2015–
Critical edition of the singspiel Das Serail (ca. 1778) by Joseph Friebert, Don Juan Archiv Wien, Vienna, Austria
2010–2014
Opera and the idea of self-representation in Southeast Europe, FWF Elise-Richter postdoctoral project, Institut für Musikwissenschaft, Karl-Franzens-Universität Graz, 2010–2012 and IKM, Österreichische Akademie der Wissenschaften Wien, 2012–2014 (FWF – Fond zur Förderung der wissenschaftlichen Forschung, Elise-Richter-Programm), Graz and Vienna, Austria
2008–2009
The role of opera in constructing national identity of Southeast European countries, postdoctoral project, Karl-Franzens-Universität Graz, Institut für Musikwissenschaft (FWF – Fond zur Förderung der wissenschaftlichen Forschung, Lise-Meitner-Programm), Graz, Austria
2008–2009
International relations in the context of Yugoslav music institutions. A case of Serbia and Slovenia 1945–1961, joint project of Serbia and Slovenia, Department of Musicology, University of Arts in Belgrade and Department of Musicology, University of Ljubljana, Slovenia (with Leon Stefanija) (Ministry of Education, Science and Technological Development of Republic of Serbia and Ministry of Science of Republic of Slovenia), Belgrade, Serbia
2006/2007
Nineteenth-century Serbian music life in the context of the Habsburg Monarchy, Institut für Analyse, Theorie und Geschichte der Musik der Universität für Musik und darstellende Kunst Wien (Ministry of Education, Science and Technological Development of Republic of Serbia), Vienna, Serbia
2004
Mapping New Musicology: Concepts, Attitudes, Ideologies, Conservatoire National Supérieur de Musique et de Danse de Paris, Musicologie et Analyse and IRCAM, Paris, France (WUS-World University Service Austria), Paris, France
2003
Music as Cultural practice – Serbian Musicians in Vienna, Institut für Analyse, Theorie und Geschichte der Musik der Universität für Musik und darstellende Kunst Wien (2003, WUS-World University Service Austria), Vienna, Austria
Member
2023–2026
Beethoven and His Music in Nazi-Occupied European Countries, international project of the University of Muenster in cooperation with numerous European universities and academies of sciences, chair Michael Custodis, supported by the Ministry of Culture and Science of the State of North Rhine-Westphalia, Düsseldorf et al.
https://musicandresistance.net/beethoven-in-nazi-occupied-europe/
2017–2018
Musical Theatre Companies in the Multilingual East-Central Europe, cooperation of the institutes of musicology at the Hungarian Academy of Sciences, Budapest; Palacký University Olomouc; Jagiellonian University, Kraków and the Slovak Academy of Sciences, Bratislava, supported by the International Visegrad Fund, Slovakia
2010–2013
Identiteti srpske muzike u svetskom kulturnom kontekstu (Identities of Serbian Music in World Cultural Context), Department of Musicology, University of Arts in Belgrade (Ministry of Education, Science and Technological Development of Republic of Serbia), Belgrade, Serbia
2006
Deutsche Musikkultur im östlichen Europa als Phänomen der Migration, Korrelation und Interferenz: Chorgesangswesen, Universität Bonn, Bonn, Germany
http://www.dmk-oeu.uni-bonn.de/dmk-oeu-deutsch/projektschwerpunkte04-06/chorwesen.htm
2005
Deutsche Musikkultur im östlichen Europa als Phänomen der Migration, Korrelation und Interferenz: Musiksammlungen, Universität Bonn, Bonn, Germany
http://www.dmk-oeu.uni-bonn.de/dmk-oeu-deutsch/projektschwerpunkte04-06/musiksammlungen.htm
2004–2009
Svetski hronotopi srpske muzike (World Chronotypes of Serbian Music), Department of Musicology, University of Arts in Belgrade (Ministry of Education, Science and Technological Development of Republic of Serbia), Belgrade, Serbia
2002–2004
Srpska muzika i evropsko muzičko nasledje (Serbian Music and European Music Heritage), Department of Musicology, University of Arts in Belgrade (Ministry of Education, Science and Technological Development of Republic of Serbia), Belgrade, Serbia
ab 2000
International Project on Music Signification, Universität Helsinki, Semiotic Studies and Department of Musicology, University of Helsinki, Helsinki, Finland
ab 2000
Musical Culture in the Lower Danube Region in the 18th and 19th centuries, City University New York Graduate Center, Barry S. Brook Center for Music Research and Documentation, New York, New York, US
1996–2013
Biografski rečnik srpskih muzičara (Biographical Lexicon of Serbian Musicians), Matica srpska, Novi Sad, Serbia
1987–1993
Istorija i estetika srpske muzike (History and Aesthetics of Serbian Music), Department of Musicology, University of Arts in Belgrade (Ministry of Education, Science and Technological Development of Republic of Serbia), Belgrade, Serbia